With that in mind, this could become a golden age for fading legacy stars forced to slum it on VOD. It’s a binary decision: King Kong punching a big crocodile or Cage punching a big crocodile.Ĭage vs croc. Both films will be sharing a landing page on a streaming site. And, arguably, even that doesn’t matter too much at the moment. The only thing separating Willy’s Wonderland from, say, Godzilla vs Kong is the size of its publicity budget. When all of these films land on VOD services, they’ll land with precisely the same impact as a blockbuster. Or Willy’s Wonderland, where (and I’d like to clarify that this is a real film that actually exists), Nicolas Cage has a bare-knuckle fistfight with a bloodthirsty beret-wearing crocodile mannequin in a haunted theme park.
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But people might still watch it, just as they might watch Eye for an Eye, the forthcoming John Travolta detective movie that seems like the byproduct of an administrative snafu whereby the entire production budget was accidentally spent on wigs. In the spirit of public service, I should point out that this is a bad idea – because Anti-Life is cheap and dull, and Willis seems like he’s phonetically repeating all his lines into a void. Photograph: Brian Douglas/Signature Entertainment At time of writing, the “top new releases” section on Rakuten includes Wonder Woman 1984, The New Mutants, an Anthony Mackie/Jamie Dornan double-header that could be about anything, a documentary positing the theory that we all live in a computer simulation, and a film called Jiu Jitsu, where Nicolas Cage beats up some aliens with a sword. Regardless of quality, they are destined to be flopped on to the same dreary streaming menu.
Because now all movies, be they compromised blockbusters or terrible late-period Bruce Willis filler items, are VOD movies. But they’re not, so Anti-Life finds itself on an equal pegging with every other movie that comes out. Or at least that would be the case if the cinemas were open. However this is 2021, and Anti-Life looks destined to become yet another miserable, unloved video-on-demand (VOD) offering that primarily exists as a vehicle for Bruce Willis to sleepwalk to his paycheque. In another age – say, 25 years ago – there is a chance that Anti-Life would have wound up as the seventh or eighth biggest film of the year. I n the forthcoming movie Anti-Life, Bruce Willis plays the leader of a roughneck crew of mechanics tasked with saving the remnants of humanity from the claws of a murderous shape-shifting alien.